Having stepped back from the Sport she dominated like few others, Serena Williams is ready to reflect.

The tennis great has a two-book deal with the random house publishing group, starting with an “intimate” memoir in which she will open up about everything from her childhood and early tennis training, dramatized in the 2021 film “King Richard,” to her extraordinary career and the obstacles and setbacks she endured along the way. The book is not yet titled and does not have a release date.

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The second book, also untitled, will be an “inspirational” work, according to Random House, which announced that “Williams will offer rules for living that draw on her experiences as a philanthropist and advocate, her career as an investment unicorn, and someone who has long sought to lift a diverse and emergent generation of young women whose aspirations are not confined to the court.”

In a press release from Random House, in her new memoir Williams will share her thoughts on “overcoming scrutiny and attacks in a predominantly white and male-dominated sport, navigating devastating losses on and off the court, falling in love with tech entrepreneur alexis ohanian, being a devoted mother to her daughters, olympia and adira, amongst others.

Her previous books include a memoir from 2009, “on the line,” and a picture story, “the adventures of Qai Qai,” released last year.

A new exhibition has opened at the FIFA museum in Zurich where fans can see a range of “holy relics” showcasing 150 years of design in football.

The “designing the beautiful game” exhibition premiered last year at london’s design museum and was the first major exhibition focusing on the design aspects of the sport.

Now a collaboration with the FIFA museum means the exhibition has been augmented by artefacts owned by world football’s governing body; such as the tactical notes used by argentina coach Lionel Scaloni in winning the 2022 world cup final and the ball used in the 1986 world cup final.

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Last week Liverpool and Wales Legend Ian Rush visited the exhibition and donated a pair of Nike Tiempo boots as well as the shirt he wore when scoring two goals in 1986’s FA cup final win, which secured the only league and cup double for “the reds”.

The show takes visitors through three main sections: performance, identity and crowds, displaying objects, photos, films, and sound clips, which highlight design’s crucial role in football development across stadium architecture, kit design, matchday programme graphics and fan banners.

The special exhibition will be hosted at the FIFA museum until February 25th next year before touring to two further destinations which have yet to be revealed.

A £8m upgrade of a seaside theatre has been approved.

A Southend-on-Sea city councillor said the improvements to Cliffs Pavilion would secure its reputation as an “important tourist attraction”.

Work will include the expansion of its restaurant, a new entrance, lobby, outdoor plaza and improvements to the bar, toilets, and lifts.

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The theatre will remain open during the work, as there are no plans to change the auditorium or backstage area.

In July Willmott Dixon was announced as the contractor.

Labour councillor, Martin Berry, said: “I like it and can’t imagine anybody is going to object to any aspect of it.”

Carole Mulroney, Liberal Democrat councillor, said: “It’s important not only for the region but the city itself that we have a premier theatre that people want to go to on a regular basis.”

Conservative councillor Steve Buckley said it would “secure the reputation of the Cliffs Pavilion as an important tourist attraction”.

Funds for the project will come from Trafalgar Entertainment, which operates the council-owned building, and £5.5m in central government funding.

The theatre’s foundations and some of the framework were first built in the 1930s but work was halted by World War Two and it did not open until 1964.

The main auditorium today seats 1,630 people.

The Andy Warhol Museum has proposed a $45 million expansion plan that would increase the institution’s footprint by more than 60%, according to news reports.

The expansion is part of the museum’s “Pop District” initiative, which, according to their website includes a “multi-block public art initiative, a youth-focused, creative economy workforce program, flagship live event & performance venue.”

The Pop District initiative was announced in 2022, as a $60 million project that will transform the area surrounding the museum into a cultural hub that draws on Warhol’s legacy for inspiration. The expansion is planned to roll out over ten years and will absorb six blocks around the museum.

The multimillion-dollar proposal will convert the museum’s existing 58,000 square foot parking lot into a new building with a concert venue with standing room for 1,000 on the first floor, a mezzanine, office spaces, and a 360-person events space on the fourth floor.

When the initiative was first announced the museum said its goal was “to generate $1 million in annual income for workers with the program” and boost the local economy. In a statement the museum’s director, Patrick Moore, said “We now have the plan and resources to follow suit as an agent of change for Pittsburgh.”

Of the current plans, Rick Armstrong, a spokesperson for the museum, told news outlets that construction could begin as early as the Spring of 2024, however the project is still in the planning and development stages, so timelines are “still flexible.”

British Museum has announced plans to digitize its entire collection in order to increase security and public access, as well as ward off calls for the repatriation of items.

The project will require 2.4 million records to upload or upgrade and is estimated to take five years to complete. The museum’s announcement on October 18 came after the news 2,000 items had been stolen from the institution by a former staff member, identified in news reports as former curator Peter Higgs. About 350 have been recovered so far, and last month the museum launched a public appeal for assistance.

“Following the discovery that objects have been stolen from the collection, we have taken steps to improve security and are now confident that a theft of this kind can never happen again,” interim director Mark Jones said in a press statement. “It is my belief that the single most important response to the thefts is to increase access, because the better a collection is known – and the more it is used – the sooner any absences are noticed.”

The museum also announced plans for “enhanced access” to its study rooms, where members of the public and researchers can see items from its collection by appointment. As a result of the thefts, the British Museum has changed its rules regarding access to its “strongrooms”, with nobody allowed to go into one on their own any more.

On the same day the British Museum announced its digitization initiative, Jones and board chairman George Osborne gave oral evidence to the UK Parliament’s Culture, Media and Sport Committee. Their comments included an explanation of how the thefts occurred, policy changes made as a result, and how the museum will handle whistleblower complaints going forward.

They also gave more details about the British Museum’s strategy for digitizing its collection, estimated at a cost of £10 million ($12.1 million). “We are not asking the taxpayer or the Government for the money; we hope to raise it privately,” Osborne said.